Concerts

 

We are delighted to welcome back the winners of the last year's LIFEM Young Ensemble Competition, Ensemble Pampinea. With the programme entitled ‘Fortuna, will you spare us?’, the ensemble presents the repertoire of Ars Nova and Ars Subtilior in a charming interaction with the audience, who decide the fates of the concert.

 

Equally passionate about baroque and contemporary music, Jane has collaborated with ground-breaking composers, artists and dancers, working with musicians from the worlds of Indian music, jazz, the avant-garde and HIP. She is Professor of Harpsichord at the Royal College of Music.

 

William Whitehead has gained a wide reputation for his engaging and inspiring interpretation of the organ repertoire. His concert career was given a boost when he won first prize at the Odense International organ competition in Denmark, 2004. Since then he has travelled widely giving concerts in Europe and the US.

 

In 1986, a group of inquisitive London musicians took a long hard look at that curious institution we call the Orchestra, and decided to start again from scratch. They began by throwing out the rulebook. Put a single conductor in charge? No way. Specialise in repertoire of a particular era? Too restricting. Perfect a work and then move on? Too lazy. The Orchestra of the Age of Enlightenment was born.

 

 

Erik Bosgraaf is generally considered to be one of the world’s leading recorder players, and he is definitely the most adventurous. He improvises, plays jazz, utilizes electronics and likes working with people in other areas of artistic endeavour such as cinematography.